No movement, no yuks, not much of anything.. Holds its ground as a mid-budget Hollywood knockoff.. Circumscribed on one side by its American precursor and on the other by the Ritchie style that Skolnick slavishly imitates.. The formula is familiar but enjoyable.. It's still a hoot, sports cliches, prison movie cliches and all.. A fairly enjoyable mixture of Longest Yard ... and the 1999 Guy Ritchie caper Lock Stock and Two Smoking Barrels.. The humor is hinged on the belief that knees in the cro...
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